Hosted by the wonderful Shay D’Pines and Angel Elektra, voted NYC’s Worst Duo in 2018, this night is going to be one fabulous night of spoken performance and song. 

Christopher Howatt

Playing piano since age four, Christopher Howatt discovered in high school he could also sing. Today, he is known as both a music director and vocalist. For two seasons, he was on the roster of the Metropolitan Opera’s Associate Chorus, and has served as a chorister for most of the major Manhattan churches, including The Riverside Church, Church of the Ascension, Trinity Church Wall Street, and currently the Church of Saint Mary the Virgin in Times Square. He has served as music director for numerous theatrical productions from the Catskills to cruise ships. However, he is known most in cabaret circles as music director and performer with the vocal trio Boulevard East with whom he has made appearances in public and private events throughout the Eastern seaboard.  His voice can be heard on recordings ranging from Boulevard East’s Timeless to Jessye Norman’s Christmas CD In the Spirit to singing backup for The Pet Shop Boys on their cover of the Village People song, “Go West.”

Mr. Gary Carmichael

The Sharply Dressed Man, Mr. Gary Carmichael is proudly born and raised in NYC, and represents the city with pride. He is one of the very few performance drag kings, offering the softer, more soulful side of man. No one does it like Gary Carmichael; come see for yourself.

I Am Cereal Killer!

I Am Cereal Killer! began performing back in 1997 when he lost many friends to the AIDS virus. I Am Cereal Killer! is a writer and performer from Cornwall, England, now based in New York City. His stage work includes subjects dealing with everything from AIDS awareness to Epilepsy and everything in between. 

Shelley Szender (performing via Skype from Devon, England)

Shelley Szender is a stand-up comedic performance poet for Paignton, England. Her one woman show, Release the Womb, has been performed at various venues around the South of England. It a collection of poems discussing her journey through menopause, staving off old age, and her relationship with her husband. It is honest, self- deprecating and observational.