Molly Pope, brassy belter/whiskey guzzler/lovable lunatic, sheds all pretense of humility and shamelessly entreats you to adore her for an hour while she prances about making loud noises. Unable to deny that she defines her self worth entirely via social media notifications, the "viscerally thrilling alto" (Time Out NY) exploits her fragile ego and vocal chops for your entertainment. Expect the unexpected juxtapositions of song and substance that have made her "one of downtown cabaret’s most adventurous performers" (New York Times) as well as a healthy helping of her roots in The Great American Songbook. She's just a hard-hearted softie who likes you an awful lot. Over-sharing? Of course. Sing-a-long? Yes. 3 encores? Why not. Molly Pope likes your status.

Molly Pope is a critically acclaimed cabarettist whose shows have played Joe’s Pub, Feinstein’s at Loews Regency, Ars Nova, The Laurie Beechman Theater and the Adelaide Cabaret Festival in Australia. She has been named a Time Out New York Top Ten Cabaret Act of 2008 and 2012 and a Village Voice Best of NYC 2011 for “Best Singer To Turn Life Into A Cabaret”. Branded the "kicky, neoretro cabaret chanteuse" and hailed for her “shredding alto” (Time Out New York), she has also performed at The Cafe Carlyle ("Tales From The Jazz Age"), the Afterglow Festival in Provincetown and "Our Hit Parade" at Joe’s Pub. On stage she has appeared in FOUND (Atlantic Theater Co), "Horseplay, or: The Fickle Mistress" (La MaMa/Theatre Askew), Dan Fishback's "The Material World" (Dixon Place), "Wonderful Town" (Gallery Players). www.mollypope.com